Artistic Director for a new festival of light and ideas over Valentine's weekend 2020. 3 days of installations, performance, engagement and thought leadership to celebrate love and belonging. Enabled by Norwich BID with support from Arts Council England, Norwich City Council and many local partners.

In 2016, I was inspired by Czech digital-art collective the Macula, to create an illuminated, immersive spectacular in Blackpool. On 18th October 2018, to a full house, we transformed the iconic Empress Ballroom in Blackpool into a giant canvas, with international teams of animators creating bespoke 2D and 3D animation to a full orchestral live programme, including Barber's Adagio for Strings and Britten's Four Sea Interludes from the opera Peter Grimes. Light Odyssey was a ground-breaking partnership with BBC Philharmonic, QED Productions, the Winter Gardens in Blackpool and Guildhall School of Music and Drama. It was made possible with support from Arts Council England. Images: VisitBlackpool. 

In 2017 Blackpool became the newest member of the Light Up the North network (LUTN), an Arts Council England-funded network for the seven northern light art festivals. From this I set up the LUTN Light Lab – a creative lab for selected northern artists to meet each other and develop new work to be toured regionally, supported by additional funding from ACE. 2017 marked the inaugural lab, with 8 artists, nominated by each of the festivals, attending two week-long residential seminars in Blackpool, ten weeks apart, that I facilitated. The artists received honoraria for participating, and a budget for new materials, with the aim of developing new, regionally-based light work that might tour. 

Blackpool Illuminations first began in 1879 and is the world's oldest free light show, going strong with nearly 4million annual visitors. As Creative Lead my role is to ensure its future through creative innovation. In 2016 we launched the LightPool Festival, October 28 - November 2, with the generous support of the Coastal Communities Fund and Arts Council England. 20-30 light art works transformed Blackpool town centre into a luminous playground for 50,000 visitors, with a nightly programme of light and fire performance art, and a conference to boot. 

Three 8m temporary sculptures built with local artists and communities to represent their relationship to the city of Bloemfontein, South Africa. The public added thousands of messages to the works, expressing their wishes for the future and for their loved ones. After a week the sculptures came to life with three community-led processions, meeting in a fourth location where we set them on fire. It’s My City was described as the largest public art project the Free State has ever seen, involving 6 artists, 20 fabricators, 50 volunteers, hundreds of professionals and thousands of participants. It was the 2016 signature project of the Programme for Innovation in Artform Development (PIAD) a partnership between the Vrystaat Arts Festival and the University of the Free State, supported by The Andrew W. Mellon Foundation. It’s My City is tourable.   See also:   www.itsmycity.co.za   www.facebook.com/itsmycity   Video credit: Rooistoel  

The opening festival for HOME in Manchester brought together 28,000 people over five days to celebrate the city’s £25million investment in a new cultural centre, the amalgamation of the much-loved Cornerhouse and Library Theatre companies. Patron Danny Boyle opened proceedings with performances from Juba do Leao and daytime fireworks from pa-Boom.

For the temporary closure of the Whitworth Art Gallery in 2013, I curated and produced Whitworth Weekending, a free festival in Whitworth Park, to say thank you to all the communities who are part of the gallery. 23,000 people attended over three days. The new Whitworth has gone on to become the Museum of the Year in 2015.

We shaped the conceptual framework for the Festival of the World, Southbank Centre’s outdoor 2012 summer programme, around Pierre de Courbetin’s philosophy. As artist I created Under the Baobab with Pirate Technics, and as producer commissioned nine outdoor sculpture projects.

Created by Robots Collective, the giant figures scaling the Hayward Gallery were made from discarded wood with young people at Oasis Children’s Venture. You weren’t sure who was helping whom – similar to the process between teachers and students when it comes to creative work.

Trey Watkins Perspectives first appeared at Burning Man in 2009, giant cubes dotting the landscape and lining up to uncover hidden messages. We brought the work to London, flew the cubes between buildings and created a three-month durational work to bring back a feeling of childhood wonder to the middle of the city. (tourable)